As a lad, I played outside a lot. A typical weekend afternoon adventure consisted of riding my mountain bike down the dirt country roads. Living around corn fields may not sound like a blast, but I always tried to make a game out of what I had. I believe that's when the inspiration hit me.
I noticed a scarecrow, in the guardian of the field. I also noticed a crow, standing there at the scarecrow's feet, eating a fallen ear of corn, somehow immune to the scarecrow's power of fright. It made me laugh. This must have been the bravest crow I had ever seen. Other crows were in the safety of the high powerlines, looking down at this crow as if he was on a suicide mission. The whole situation was quite funny in my eyes as well as ironic. I knew at some point I would have to draw a cartoon series that was, in fact, a true story.
I had always enjoyed watching Looney Tunes as a kid, and still do today. It was great comedic writing, comedic timing, colorful stories, and above all, memorable characters that made the experience of watching them all worth while. In a way, Conroy and Rosco is my strict dedication and homage to the great era in motion picture entertainment.
In the eyes of some art experts, the animation and cartoon field is very remedial. By today's standards, a doodle of a character experiencing weird, uncommon situations (Spongebob, Chowder, Misadventures of Flapjack) or mature, low brow spoofs (Simpsons, Family Guy, South Park) can pass as entertainment. This cartoon is for those who will enjoy a good laugh through classic physical slap stick comedy, not for those who theorize the intentions of the tortured artist.
The art of the anvil, TNT, laws of physics, inter dimensional black novelty holes, and shot guns that only leave one's face stained with gun powder are not dead in this cartoon series!
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